This title is part of a longer publication history. The full run of this journal will be searched. TITLE HISTORY A title history is the publication history of a journal and includes a listing of the ...
Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens ...
Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's ...
Dr Siobhan Keenan, Reader in Shakespeare and Renaissance Literature at De Montfort University, Leicester, says: “Given the prestige of the occasion and the fact that the performance was ...
Lina Perkins Wilder teaches courses in Shakespeare and Renaissance Literature. Her courses include Essentials of Literary Study; Happy Endings: Shakespeare’s Comedies; Speaking What We Feel: ...
We concentrate on Elizabethan and Jacobean theater - the theater of Shakespeare's contemporaries, of Marlowe, Kyd, Webster, Jonson -- with some attention to the religious drama of the medieval period ...
Rebecca Ann Bach is Professor of English, specializing in Shakespeare and Renaissance Drama. She is the author of Birds and Other Creatures in Renaissance Literature: Shakespeare, Descartes, and ...
"The stings of fortune" was a common saying in the Renaissance, which leads some ... The play Hamlet is Shakespeare's best known tragedy. Shakespeare was a master of this dramatic form and uses ...