Edmund Burke’s Philosophical Enquiry (1757) connected the sublime with experiences of awe, terror and danger. Burke saw nature as the most sublime object, capable ...
In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...
Bernd and Hilla Becher first began their project of systematically photographing industrial structures in the late 1950s. This paper, first given at a conference at Tate Modern, investigates the ...
This article examines the sexual imagery of particular paintings by the Pre-Raphaelite painter John Everett Millais. It argues that criticism has overlooked the sophisticated poetry of the body in ...
Gordon Matta-Clark (1943–1978), who trained originally as an architect, is best known for his spectacular ‘building cuts’. These have often been seen as an outright rejection of the architectural ...
Within Static 2009 (Tate T13425), the shifting distance of the camera lens plays upon the viewer’s familiarity with the iconic Statue of Liberty. As a distant, iconic image, the statue is at once ...
This photograph shows Jackson Pollock at work...just look at the mess he is making on the floor! He dripped paint onto large canvases on the floor. This way of painting was called action painting ...
American histories of American art often omit Bernard Perlin, or relegate him to a mere footnote as a keeper of the flame of figuration in an era of abstraction. That history, and Perlin’s place in it ...
Art informel is a French term describing a swathe of approaches to abstract painting in the 1940s and 1950s which had in common an improvisatory methodology and ...
Taking as its starting point John Constable’s Salisbury Cathedral from the Meadows exhibited 1831, this paper considers what factors made gothic cathedrals potent and contested symbols during the ...