Access points: the first-ever documentary showcase held within a U.S. prison included a slate of competing films judged by an ...

Scenes from the class struggle: a new repertory series at MoMA asks its viewers to connect Portugal’s political revolution to ...

Time and time again: recent works by Elisabeth Subrin and Zia Anger join a lineage of women’s films that invite us to witness ...

This article appeared in the November 8, 2024 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. Guns (Robert ...

When the cast of Robert Zemeckis’s Here was announced two years ago, Gump-heads rejoiced. Three decades after Forrest Gump ...

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Here at Film Comment, we live by Serge Daney’s motto: “Cinephilia is not only a particular relationship to cinema, it is a relationship to the world through cinema.” We love moving images because they ...

So Jean-Marie Straub characterized Not Reconciled (65), his and Danièle Huillet’s first feature, and that applies to all their films. An oratorio sets a story to music, with orchestra, choir, singers ...

To make a movie is to appropriate—either that which is before the camera or something already filmed. These days, I prefer the latter. Terrific compilation docs shown in festivals this past year ...

One imagines James Baldwin would have had none of that. In his most sustained commentary on cinema, the 1976 book-length essay The Devil Finds Work, he gives voice to the suspicion and anger that many ...