Hexatonic scale - Wikipedia
In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the whole-tone scale , C D E F ♯ G ♯ A ♯ C; the augmented scale, C D ♯ E G A ♭ B C; the Prometheus scale , C D E F ♯ A B ♭ C; and the blues scale , …
How to use the major hexatonic scale of a I-IV progression
Oct 2, 2020 · A great twist on the standard major hexatonic scale is to use an altered set of intervals: in Figure 5, the notes G#, A, B, C#, E and F# are played over A, which sounds E major hexatonic over an A tonal center.
Hexatonic Scales: Guitar Theory Guide - Jay Skyler
This article discusses the construction and usages of the 4 most important hexatonic scales for Rock, Blues, and Metal Guitar: the Hexatonic Major scale, the Hexatonic Minor scale, the Major Blues scale, and most importantly the Blues Scale, which is both theoretically and historically the underpinnings of all the guitar styles which have ...
Hexatonic Scale Patterns For Major & Minor Keys - fretjam
Use these hexatonic scale patterns to cover more of the neck, build speed and create flowing musical sequences. Works in major and minor keys.
An Introductory Lesson On The Hexatonic Scale
Although there are several varieties of the hexatonic scale, there are two hexatonic scale types that we’ll be focusing on in this lesson and they are as follows: The major hexatonic scale. The minor hexatonic scale. Check them out! The major and minor hexatonic scales can be used in addition to the natural major and minor scales.
Hexatonic Scales For Guitar - Theory and Shapes
Feb 25, 2022 · Hexatonic scales are made of six notes, even if you can get them from any pentatonic scale (by adding one note) or diatonic scale (by removing one note), the most popular are the blues scales (major, minor), the augmented scale, the whole-tone scale, the tritone scale and the Prometheus scale.
67-Hexatonic Scales - Music Student 101
MAJOR HEXATONIC- The major scale without scale degree 7. WHOLE TONE SCALE- All whole notes. This is a SYMMETRIC scale. The same pattern repeats throughout. There is no leading tone and, therefore, no tonal center. You can combine two triads (major, minor or any combination) and make a HEXATONIC scale. These two triads must be mutually exclusive.
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